On her first jazz quartet "Visions", award-winning saxophonist Melissa Aldana connects her work to the legacy of Latina artists who have come before her, creating a pathway for her own expression. Inspired by the life and works of Frida Kahlo, Aldana creates a parallel between her experiences as a female saxophone player in a male-dominated community, and Kahlo’s experiences as a female visual artist working to assert herself in a landscape dominated by men. On her first jazz quartet recording, Aldana adds a new dimension to her sound, resulting in a transformative movement of expression and self-identity.
Aldana was born in Santiago, Chile. She began playing the saxophone when she was six, under the influence and tuition of her father Marcos Aldana, also a professional saxophonist. Aldana began with alto, influenced by artists such as Charlie Parker, Cannonball Adderley, and Michael Brecker. However, upon first hearing the music of Sonny Rollins, she switched to tenor; the first tenor saxophone she used was a Selmer Mark VI that had belonged to her grandfather.
She started performing in Santiago jazz clubs in her early teens. In 2005, after meeting him while he was on tour in Chile, she was invited by pianist Danilo Pérez to play at the Panama Jazz Festival, as well as a number of auditions at music schools in the USA. As a result of these introductions, she went on to attend Berklee College of Music in Boston, where her tutors included Joe Lovano, George Garzone, Frank Tiberi, Greg Osby, Hal Crook, Bill Pierce, and Ralph Peterson
Aldana graduated from Berklee in 2009, relocating to New York City to study under George Coleman. She recorded her first album, Free Fall, released on Greg Osby's Inner Circle Music imprint in 2010. Her live shows in this period included performances at the Blue Note Jazz Club and the Monterey Jazz Festival, and her second album, Second Cycle, was released in 2012. In 2013, aged 24, she was the first female musician and the first South American musician to win the Thelonious Monk International Jazz Saxophone Competition, in which her father had been a semi-finalist in 1991. The prize was a $25,000 scholarship, and a recording contract with Concord Jazz. Reporting her win, the Washington Post described Aldana as representing "a new sense of possibility and direction in jazz".
VISIONS FEATURED IN NPR “BEST ALBUMS OF 2019 (SO FAR)”
Melissa Aldana’s album Visions has been featured as part of NPR Music’s “Best of 2019 (So Far)” list!
Melissa Aldana, a Chilean-born tenor saxophonist, has the elusive ability to balance technical achievement against a rich emotional palette. Visions, her finest album, was inspired by the inner life of Mexican artist Frida Kahlo; it's a brilliant showcase for a band that includes this year's breakout star, Joel Ross, on vibraphone. — Nate Chinen, WBGO
Melissa Aldana is one of Paste Magazine’s “12 women influencing the future of jazz”
Melissa Aldana was featured in the Paste Magazine article “12 Women Influencing the Future of Jazz” by Bill Milkowski.
Melissa Aldana Featured in Vanity Fair “Sisters of Swing”
Melissa Aldana was featured in the Vanity Fair article “Sisters of Sing” along with a handful of other female jazz musicians including Melissa’s bandmates in the all-women supergroup Artemis.
Melissa Aldana Featured in WBGO Take 5
Nate Chinen featured Melissa Aldana in his article “Visions and Visionaries: The Art Ensemble of Chicago, Melissa Aldana, Ben Monder and More.”
UK Vibe review gives Melissa aldana’s ‘visions’ 5/5
Imran Mirza reviews Melissa Aldana’s new album ‘Visions’
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